Which synth for house music

Last Name. Use the following code during checkout. This content is blocked. Accept cookies to view the content. This website uses cookies to give you the best experience. Agree by clicking the 'Accept' button. Link: Buy Sylenth1 Yep, good old Sylenth still makes it to one of the top synthesizers for house music.

These are some of my favorite and most used tech house vst instruments. Have you discovered something new on this list? Do you have some hidden house music VST gem? Add to cart Show Details. However, producers would pick up cheap second-hand, unwanted s in the 80s and utilise the sequencer, slide and accent features to produce that now famous squelchy and slippery sound.

It was the perfect accompaniment, not to guitarists, but the repetitive beats from sister products such as the Roland TR and drum machines — which combined to make the kinds of highs and lows that gave the burgeoning numbers of listeners of techno, house and acid house their highs. Roland has released dozens of a-likes over the years, never quite reissuing the original hardware and you can get a great software version on the Roland Cloud. This is largely down to its mighty supersaw, where up to seven core sawtooth waveforms were detuned against one another.

Like we said — a lot! You could easily argue that the Access Virus range — and we will include the range this time, as they are all well regarded — is just another synth that does trance well.

Yes, but also so much more. Controversy time! This is a great keyboard to have at the centre of any setup - either live or in the studio. Hats-off to Roland for making one of the most inspiring and unique-sounding synths of recent times. PolyBrute is a digitally-controlled analogue synth combining multiple VCOs and VCFs with a powerful modulation matrix, sequencer and arpeggiator.

It features the same button matrix as found on the MatrixBrute which can act as a handy preset browser, a controller for the multi-lane sequencer and, most usefully, a digital patchbay for assigning and editing modulation routings. It is multitimbral though, with the ability to set up two distinct sounds at once. In standard Morph mode you can use a rotary to gradually morph between these sounds and all their associated parameters. Overall, this is an excellently designed, characterful synthesizer deserving of a place among the top tier of polysynths.

Read the full Arturia Polybrute review. It also has a fantastic build quality and is available in two colours: blue and gun-metal grey. However if you disable the binaural function, the Super 6 switches to a monoaural signal path with 12 voices to work with. Performance-wise, this synth is super hands-on and everything is under direct control with very little hidden.

Sonically, the analogue-style waveforms sound fat with plenty of beefy low content, great mid presence and cutting high-end and the S6 definitely has its own vibe going on. Versatility is a recurring theme and this synth is great for percussive hits and textures, or more smudgy pads, snappy synth brass, precise basses, punchy cutting leads and more.

Super 6 really is nothing short of super-impressive even more so for a debut release. Intuitive, super-versatile, sounds unique… a pleasure to get lost in! Read the full UDO Super 6 review. It was developed in collaboration with Tom Oberheim, and boasts a sound engine that's inspired by his original SEM. In fact, the OB-6 promises "true, vintage SEM tone with the stability and flexibility of modern technology".

The architecture features two oscillators per voice, with continuously variable waveshapes sawtooth and variable-width pulse, with triangle on oscillator 2. Each voice also has access to a SEM-inspired state-variable filter low-pass, high-pass, band-pass, and notch. Completing the signal path are voltage-controlled amplifiers. Throw in a powerful modulation system, dual effects section and knob-per-function front panel and you've got a top-dollar synth that will keep you entertained for years to come.

This fourth revision of the Prophet-5 synth comes almost 40 years after the last. All you really need to know is that this is a classic synth updated for the 21st Century — the keyboard has aftertouch and velocity; connections include USB. Other than that, it sounds every bit as good as an original Prophet Outstanding features include some excellent presets including the original set of sounds found on the original Rev1 , the brilliant Poly-Mod section that gives you instant sound design, plus a build quality that will have you drooling.

This is a classic synth reborn. Read the full Sequential Prophet-5 Rev 4 review. At its heart, the Quantum is an 8-voice, bi-timbral 2-part synth, using very high-resolution stereo oscillators routed through dual resonant analogue or digital filters. Sounds can be split and layered and voices can be allocated flexibly between layers; each layer can also have its own output for independent processing.

Importantly, there are four independent synthesis engines across the three oscillators. It is truly unique and capable of stunning, otherworldly, or familiar sonic results.

It can sound huge, small, thin, fat, warm, epic, broken or cold and you can imprint your personality onto the sound using the available parameters, or your own samples. Read the full Waldorf Quantum review. At the top end you will find synths which pack in more features and flexibility, either in the form of more voices, or effects, or with sequencing skills that can take your compositions off in all manner of strange directions.

Sometimes you can simply change a few parameters and see what happens. For creative, curious people there are few things that come close to the experience of playing a hardware synth. As with any genre of music, or music technology, there are trends which come and go.

FM, for example, seems to have undergone a renaissance recently, while digital synths offering wavetable functionality greatly expands the tonal palette you have to play with. And that is exactly why we love them. MusicRadar The No. Included in this guide: 1.

Image 1 of 3. Image 2 of 3. Image 3 of 3. A super-cheap, quirky analogue monosynth that delivers where it counts. Synth engine: Analogue. Polyphony: Monophonic. Keyboard: Touch keyboard. Sequencer: Yes. Connectivity: 3. Power: Four AA batteries.

Reasons to avoid - Hardware feels quite lightweight and cheap. Korg Volca FM. Synth engine: Digital FM. Polyphony: 3 voices. Keyboard: Multitouch. Effects: Chorus. Power: Battery or optional AC adapter. Reasons to avoid - Only three voices. Image 1 of 6. Image 2 of 6. Image 3 of 6. Image 4 of 6. Image 5 of 6. Image 6 of 6. Arturia MicroFreak. Synth engine: Digital. Polyphony: 4 voice paraphonic.

Keyboard: key capacitive keyboard. Effects: None. Behringer Neutron. Polyphony: Paraphonic. If you love deep house, techno, or 80s music, then you love the Moog. The Minitaur is the least expensive way you can get one of those coveted Moog filters in your studio to create rich, sexy bass lines.

Cons: No build in keyboard, somewhat limited to just bass sounds. Semi-modular, Eurorack compatible, 32 step sequencer, and the sexy Moog filters. Pros: Access to some coveted Moog sounds, semi-modular and Eurorack compatible. Cons: No internal keyboard, only one VCO. They just sound so damn expensive. Pros: Sounds like a Moog, Eurorack compatible. Cons : No keyboard, not the most reputable manufacturer.

And it may just be the most complete offering around, in terms of sound, flexibility, and just sheer fun of playing and programming. Drew from the Chainsmokers used this for the bass on Rozes. He says,. The , the , the , the — everyone knows the sounds, and nobody questions how awesome they are. Want an ? Get the TR Want a ?